A dictionary of architecture and building : biographical, historical, and descriptive . lpits (Florence, S. Lo-renzo ; Pisa, Campo Santo ; Barga, cathedral;Pistoja, S. Giovanni and S. Bartolonimeo ; Vol-I terra, cathedral), and sepulchral n^ ITALY Prototypes of the cuursed pol3c-hromy are suchByzantine clmrches as S. Demetrius at Salonica(Turkey), Mistra (Greece), S. Nieodemus atAthens (Greece), Mons-tes-Koras (Coiistantino-Iile); prototypes of tlie pattern polychromy arethe sixth century interior of the cathedral of Pa-renzo (Istria), and tlie eleventli century facadeof the cati
A dictionary of architecture and building : biographical, historical, and descriptive . lpits (Florence, S. Lo-renzo ; Pisa, Campo Santo ; Barga, cathedral;Pistoja, S. Giovanni and S. Bartolonimeo ; Vol-I terra, cathedral), and sepulchral n^ ITALY Prototypes of the cuursed pol3c-hromy are suchByzantine clmrches as S. Demetrius at Salonica(Turkey), Mistra (Greece), S. Nieodemus atAthens (Greece), Mons-tes-Koras (Coiistantino-Iile); prototypes of tlie pattern polychromy arethe sixth century interior of the cathedral of Pa-renzo (Istria), and tlie eleventli century facadeof the catiicdral of Amalii — both kinds beingByzantine in origin. Compare elsewhere the ITALY between tlic monastic and the cathedral andother secular churches, the former innovating,the latter maintaining many traditional religious orders introduced into Tuscanythe wooden-roofed hall church of single nave,usually with vaulted transept and square ap-sidal ciiapels, derived from the range from the simplest type with nochapels, such as S. Francesco, Arezzo, and with. Italy, Part VII. —Tuscany : Nave of S. M. Novella, Florence. cathedrals of Altamura, in Apulia (see Italy,Part XII.), and Le Puy (in the south of France)(see France, Part VIII.). The Tuscan cities were behind the Umbrianand Emilian in accepting Gothic forms, partlybecause the Tuscans did not as enthusiasticallyadopt monastic orders. Consequently thereare almost no Cistercian prototypes or Domini-can and Franciscan vaulted churches of thefirst generation. There is a sharj) distinction507 cross vaulting only in the apse as in S. Caterina,Pisa ; through the type with vaulted transeptand four-side chapels, as S. Francesco at Pis-toja; to the type of larger church with roofedtransept and more numerous side chapels, suchas S. Francesco at Pisa, S. Domenico, and at Siena. A combination of thiswooden-roofed hall type with that of the threeaisles is S. Croce, in Florence, by Arnolfo delCambio,
Size: 1414px × 1768px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, booksubjectarchitecture, bookyea
