Brethren at Work, The (1881) . dip(s * are more than) one dip. So thatHippocrates proves baptizo to mean (morethan) one dip. In this example baptizo ismodified by breast milk and Egyptian oint-ment, just as it is in 2 Kings 5: 14 (Septua-ginl) by the words sewew times and just as itis in Matt. 28:19 by Into the name of theFather, and of the Son, and of the Holy Spir-it. Zo denotes the repetition of the actionindicated by ?^bapt, while its adverbial ele-ments limit and determine their number. Theforegoing shows the mistaken subterfuges towhich our opponents so eagerly resort to op-pose the admi
Brethren at Work, The (1881) . dip(s * are more than) one dip. So thatHippocrates proves baptizo to mean (morethan) one dip. In this example baptizo ismodified by breast milk and Egyptian oint-ment, just as it is in 2 Kings 5: 14 (Septua-ginl) by the words sewew times and just as itis in Matt. 28:19 by Into the name of theFather, and of the Son, and of the Holy Spir-it. Zo denotes the repetition of the actionindicated by ?^bapt, while its adverbial ele-ments limit and determine their number. Theforegoing shows the mistaken subterfuges towhich our opponents so eagerly resort to op-pose the administration of baptism into thename of each Person of the Holy Trinity ascommanded by Christ in his great imperative,Matt. 28:19, and is a significant indication ofthe character of the balances in which theyare wont to weigh trine immersion. Prov. 11:1. J. w. s. If in a dark business we perceive God toguide us by the lantern of his providence, it isgood to follow the light close, lest we lose it THE BRETHRElSr ^T ^SVORK, 119. MARY C. NORMAN, SHAJKOS, MINN, THE POETRY OF LIFE. rPHE present life is not wholly prosaic, pre-j. cise, tame and finite; to the gifted eye itabounds in the poetic. The afif^ctions whichspread beyond ourselves, and stretch far intofuturity, the workings of mighty passionswhich seem to arouse the soul with an almostsuperhuman energy, the innocent irrepressi-ble joy of infancy, the bloom aad buoyancy,and dazzling hopes of youth, the throbbing? ofthe heart when it first wakes tolove,and dreamsof a happiness too vast for earth, woman, withher beauty, grace and gentleness, and fulnessof feeling, and depth of affection, and blushesof purity, and the tones and looks, which onlya mothers heart can inspire; these are all po-etical. It is not true that the poet paints alife which does not exist; he only extracts andconcentrates, as it were, lifes etherial essence,brings together its scattered beauties, and pro-longs its more refined but evanescent joys. M. C. N. EARL
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