. The photographic history of the Civil War : thousands of scenes photographed 1861-65, with text by many special authorities . (Ihr iGmhtrr ^>tiir All my righl in a Southern bagnel prodWid Sambo Ill divide! The men who object to Sambo Should take his place and fight;And its betther to have a naygers hue Than a liver thats wake an Sambos black as the ace of spades. 11 is finger a thrigger can his eye runs sthraight on the barrel-sightsFrom undher its thatch of hear me all. boys darlin, Dont think Im tippin you chaff,The right to be kilt well divide wid him,And
. The photographic history of the Civil War : thousands of scenes photographed 1861-65, with text by many special authorities . (Ihr iGmhtrr ^>tiir All my righl in a Southern bagnel prodWid Sambo Ill divide! The men who object to Sambo Should take his place and fight;And its betther to have a naygers hue Than a liver thats wake an Sambos black as the ace of spades. 11 is finger a thrigger can his eye runs sthraight on the barrel-sightsFrom undher its thatch of hear me all. boys darlin, Dont think Im tippin you chaff,The right to be kilt well divide wid him,And give him the largest half! Charles Graham Halpixe 3» 11 THE YEAR OF JFBIEEE According to common report n body of negro troops sang thesewords as they entered Richmond on the morning of April 3, Gary Eggleston adds a special interest to the song: * It is aninteresting fact, illustrative of the elasticity of spirit shown by thelosers in the great contest, that the song, which might have been sup-posed to be peculiarly offensive to their wounded pride and completelyout of harmony with their deep depression and c
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Keywords: ., bookauthormillerfrancistrevelya, bookcentury1900, bookdecade1910
