Nuremberg and its art to the end of the 18th century. . 102. Diirers grave, in St. Johns Cemetery p. 103. : Fountain of the Virtues p. 104. Cabinet in Flotners style ... p. 105. Panelling and door in the Peller House p. 106. The Spittlerthor and its tower . p. 107. Court of no. i, Winklerstrasse . p. 108. Courtyard of no. 15, Tucherstrasse p. 109. Dormers of no. 31, Brunnengasse . The Kutscherhof in the Brunnen- gasschen p. 111. TheToplerHouse, on thePaniersplatz p. 112. The Peller House p. 113. Courtyard of the Peller House . p. 114. Fagade on the court, no. 34, Karo-linens
Nuremberg and its art to the end of the 18th century. . 102. Diirers grave, in St. Johns Cemetery p. 103. : Fountain of the Virtues p. 104. Cabinet in Flotners style ... p. 105. Panelling and door in the Peller House p. 106. The Spittlerthor and its tower . p. 107. Court of no. i, Winklerstrasse . p. 108. Courtyard of no. 15, Tucherstrasse p. 109. Dormers of no. 31, Brunnengasse . The Kutscherhof in the Brunnen- gasschen p. 111. TheToplerHouse, on thePaniersplatz p. 112. The Peller House p. 113. Courtyard of the Peller House . p. 114. Fagade on the court, no. 34, Karo-linenstrasse p. 115. The Fembo House p. 116. Gateway to the Abattoir .... p. 117. View on the Pegnitz, with the Fleisch-briicke p. 118. Great courtyard of the Town Hall,with fountain by P. Labenwolf . p. 119. Centre doorway of the Town Hall p. 120. Schwanhardts memorial tablet, byG. Schweigger, in St. Johns Cemetery p. 121. Oriel of no. 30, Karolinenstrasse . p. 122. West front of St. Egidius Church . p. 123. View ofNuremberg, from the south-east Fig. I. View of the town and castle from the tower of St. Lawrences by F. Schmidt. INTRODUCTION. To one who wanders through the crooked streets of Nuremberg, under-standing something of the story that the houses, with their old greywalls and tall red roofs, have to tell; who is attracted at firstsight of the castle and its towers, extending widely on its proud height,and the fortifications that start thence to engirdle the whole town; who looksat the picturesque remains of older defences within, at the churches andchapels, the town hall, the markets and squares, with fountains large and small;it is almost as though he were turning over the leaves of an old chronicle printedin bold type and enriched with sturdy woodcuts. We need not bury ourselves in the contents of such a folio, tracing outword by word what the chronicler has to tell; we can find delight in merelyturning over its pages. The stout paper, the type so shap
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