. British painters; with eighty examples of their work engraved on wood. en months, drawing in the life schools, and studying the stanzi of theVatican. During the summer months he employed himself in sketching fromnature among the Alban Hills, at Subiaco, and at Tivoli. Three monthspassed in England in the year 1856, and Mr. Yeames was again in Florence,working under Signor Buonajuti. At this time he painted two small pictures,respectively entitled Charity and The Mandoline Player, which wereexhibited in one of our provincial galleries, after the artists return to EnglandIn 1858. Since that ye
. British painters; with eighty examples of their work engraved on wood. en months, drawing in the life schools, and studying the stanzi of theVatican. During the summer months he employed himself in sketching fromnature among the Alban Hills, at Subiaco, and at Tivoli. Three monthspassed in England in the year 1856, and Mr. Yeames was again in Florence,working under Signor Buonajuti. At this time he painted two small pictures,respectively entitled Charity and The Mandoline Player, which wereexhibited in one of our provincial galleries, after the artists return to EnglandIn 1858. Since that year he has permanently resided in London. His first works seen in the metropolitan galleries were a life-size portraitof Mr. B. Whishaw, and a picture called The Staunch Friend, bothexhibited at the Academy In 1859: the latter represents a jester with amonkey; it is cleverly painted, and shows character. In the following yearhe was seen only in the British Institution, where his solitary contribution was Ye Trystinge Houre; but at the Academy exhibition of 1861 he came. ^ Cii Q I w -^ o 2 S (^ in I < -^ o t; H -^ ^ -I W .« fe (^ O a p i HWW Pd a H ASTOJ^, ANDViLSKtf FOUNDATIONS
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Keywords: ., bookcentury1800, bookdecade1880, booksubjectpainter, bookyear1881
