Carter, the Colorman ca. 1680 Charles Beale British Charles Beale II's remarkable red-chalk studies of family members and friends comprise his most distinguished legacy, though they were not intended for sale or display. Here, he depicted a family friend George Carter (act. 1680-1742) who sold artists' materials. The intimate approach and distinctive technique are virtually unique in the late Stuart period and relate more closely to Dutch precedents than to the portrait practice of the artist's mother, Mary Beale. Early in his career, the artist worked mainly as a miniaturist and perfected his
Carter, the Colorman ca. 1680 Charles Beale British Charles Beale II's remarkable red-chalk studies of family members and friends comprise his most distinguished legacy, though they were not intended for sale or display. Here, he depicted a family friend George Carter (act. 1680-1742) who sold artists' materials. The intimate approach and distinctive technique are virtually unique in the late Stuart period and relate more closely to Dutch precedents than to the portrait practice of the artist's mother, Mary Beale. Early in his career, the artist worked mainly as a miniaturist and perfected his draftsmanship in drawings like this one, made when he was about twenty years old (others that date between 1679 and 1681 are preserved in sketchbooks at The Morgan Library & Museum and the British Museum). Beale described the face using a tightly hatched web of waxy red lines, treated the hair more broadly, used only a few strokes to suggest the cravat and shirt. His choice of red as the primary tone is striking, and its effect is strengthened by black touches that help define the pupils, nostrils, and Carter, the Colorman 343335
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