. Colour in woven design . these are illustrations which demonstrate the principle oforiginating plans of weaving which will change the patternproduced by a given set of colours in such manner as tocompose novel styles. The effect of the third arrangement given above is toform the pattern seen in fig. 54. It is a base that fre-quently finds an important place in tweeds, flannels,dresses, and worsted suitings. It may be described asa neatly-marked check. The weave employed in its con-struction is supplied in fig. 54a, and is what is technicallyknown as the eight-shaft diagonal. This scheme is d
. Colour in woven design . these are illustrations which demonstrate the principle oforiginating plans of weaving which will change the patternproduced by a given set of colours in such manner as tocompose novel styles. The effect of the third arrangement given above is toform the pattern seen in fig. 54. It is a base that fre-quently finds an important place in tweeds, flannels,dresses, and worsted suitings. It may be described asa neatly-marked check. The weave employed in its con-struction is supplied in fig. 54a, and is what is technicallyknown as the eight-shaft diagonal. This scheme is devel-.
Size: 1507px × 1658px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1890, booksubjectcolorin, bookyear1890
