. Furniture for the craftsman; a manual for the student and machanic. Fig. 48. Fig. 49. We are all living to experience the marked transforming ten-dency of what we now call the mission style. Owing to itsrefreshing simplicity and to the sparcity of architectural typesand interior detail, architects and designers have in many recentinstances overstepped and gone to Spain for much the oldfriars either did not intend to bring with them or have on orwithin their community buildings, or for good reasons were un-able to skilfully execute conventional forms. Figs. 48 and 49 show the original inspira
. Furniture for the craftsman; a manual for the student and machanic. Fig. 48. Fig. 49. We are all living to experience the marked transforming ten-dency of what we now call the mission style. Owing to itsrefreshing simplicity and to the sparcity of architectural typesand interior detail, architects and designers have in many recentinstances overstepped and gone to Spain for much the oldfriars either did not intend to bring with them or have on orwithin their community buildings, or for good reasons were un-able to skilfully execute conventional forms. Figs. 48 and 49 show the original inspiration for what we termMission, and any decided departure from the direct construc-tive character ceases to be Mission. From the restlessness INFLUENCE OF ANTIQUE MODELS 29 of our day we are developing a modified interpretation familiarly known as the Arts and Crafts, of which more will follow later. Tables In the two previous articles a general view and discussion offurniture forms was given. Time has tested these forms andother general characteristic features descr
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Keywords: ., bo, bookcentury1900, bookdecade1910, bookidfurnitureforcraf01otte
