Paris . e en bas, on lui demanda ses poches, oil il nyavait rien. Enfin, apres mille injures, elle partit avec Ihuissier dutribunal.—Ricit des iv^nements arrivJs au Temple. Madame Royale was released from the Temple,December 19, 1795, after a captivity of three years, fourmonths, and five days. Elle ne laissa dautre trace de sa captivite et de ses larmes danssa prison que ces deux lignes gravees par elle sur la pierre de sa fen^trependant les longues oisivetes de la reclusion : O mon pere, veille surmoi du haut du ciel ! O mon Dieu, pardonnez i ceux qui ont faitmourir mon pfere.—Lamartine, His
Paris . e en bas, on lui demanda ses poches, oil il nyavait rien. Enfin, apres mille injures, elle partit avec Ihuissier dutribunal.—Ricit des iv^nements arrivJs au Temple. Madame Royale was released from the Temple,December 19, 1795, after a captivity of three years, fourmonths, and five days. Elle ne laissa dautre trace de sa captivite et de ses larmes danssa prison que ces deux lignes gravees par elle sur la pierre de sa fen^trependant les longues oisivetes de la reclusion : O mon pere, veille surmoi du haut du ciel ! O mon Dieu, pardonnez i ceux qui ont faitmourir mon pfere.—Lamartine, Hist, de la Restauration. Nothing is now left of the Temple, but (near a rock onthe south side of the square) the weeping-willow which iS8 PARIS Madame Royale, then Duchesse dAngouleme, planted in1814, on the site of the prison of her sorrows. Higher up the Rue du Temple (left) is the Church ofS. Elizabeth, founded by Marie de Medicis in 1628, for aconvent of Franciscan nuns. It contains a singular font. OVER DOORWAY, RUE VIEILLE DU TEMPLE. of 1654, and 100 little XVI. c. sculptures in wood, of BibleHistory, said to come from a church at Arras. In the Rue de Bretagne, running along the lower sideof the Jardin du Temple, No. i is the ancient HStel deTallard, the staircase of which is a masterwork of Rue de Bretagne will take us into the Rue Vieille duTemple, one of the busiest streets of the quarter. On the east, the Rue des Coutures S. Gervais contains £COLE DES ARTS ET MANUFACTURES 159 (No. i), the entrance to the Ecole Centrale des Arts etManufactures. The Hotel was built, in 1656, for thefinancier Aubert de Fontenay. His monogram remains onthe balustrade of the splendid staircase. His having be-come enriched by the salt-tax at one time gave his housethe name of Hotel Sal^. Long the Venetian embassy, itbecame the property of the Mardchal de ViHeroy, then of
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