The popular history of England; an illustrated history of society and government from the earliest period to our own times . 97- 1856, Botany Hincks, 1767-1857,Oriental Languages Andrew Ure, 1778-1857,Chemistry, Dictionaryof Arts and Manufac-tures John Wilson Croker, 1780- 1857, Politics, CriticismJohn Harris, 1804-1857, Mammon(prizeessay),Theology and Physics J. M. Kemble, 1807-1857,Anglo-Saxon Languageand Literature Hugh Miller, 1802-1856,Geology Stephen Robert Rintoul,1787-1858, Politics,Spectator Newspaper GeorgeCombe, 1788-1858,Phrenology, Constitu-tion of Man Jane Webb Loudon, 1800-
The popular history of England; an illustrated history of society and government from the earliest period to our own times . 97- 1856, Botany Hincks, 1767-1857,Oriental Languages Andrew Ure, 1778-1857,Chemistry, Dictionaryof Arts and Manufac-tures John Wilson Croker, 1780- 1857, Politics, CriticismJohn Harris, 1804-1857, Mammon(prizeessay),Theology and Physics J. M. Kemble, 1807-1857,Anglo-Saxon Languageand Literature Hugh Miller, 1802-1856,Geology Stephen Robert Rintoul,1787-1858, Politics,Spectator Newspaper GeorgeCombe, 1788-1858,Phrenology, Constitu-tion of Man Jane Webb Loudon, 1800- 1858, Gardening forLadies William J. Broderip, 1788- 1859, Natural HistoryDionysius Lardner, 1793- 1859, PhysicsJohn P. Nichol, 1804- 1859, AstronomyAlexander Fletcher, 1778- 1860, TheologyJohnNarrien, 1782-1860, Mathematics, Military EngineeringWilliam Spence, 1783- 1860, EntomologyHorace Hayman Wilson, 1786-1860, Sanskrit LanguageR. Bentley Todd, 1809- 1860, Surgery Sir Howard Douglas, 1775- 1861, Military andNaval Defences T. Southwood Smith,1788 — 1861, Philo-sophy of Health W. J. Donaldson, 1812-1861, Philology. Waterloo Bridgfe. CHAPTER VIII. State of the Fine Arts to the close of the Regency—Architecture—Imitation of Greek models—St. Pancras Church—Wyatt and Gothic restorations—Soane—Holland—Smiike—Wil-kins—Nash—Regent-street and Regents Park—Churches—Bridges—Telford—Rennie—Sculpture—Banks—Bacon—Flaxman—Chantrey—Westmacott—TheTownley, Phigaleian,and Elgin Marbles—British Institution—Dulwich Gallery—Painting—West—Copley—•Fuseli—Haydon—Lawrence—Wilkie—Turner—Painting in Water Colours—Engraving—Line Engrarers— Wood Engraving—Bewick—Lithosjraphy. It is the purpose of the present chapter to carry forward the survey ofthe state of the Fine Arts from 1783 to the end of the Eegeucy. Architecture in the last years of the eighteenth century was far from beingin a flourishing condition. There was much bu
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