. The Open court. nnmbzttQi^atbcg«|fett. albabiBanit mHxowbtnmiaidfcnb<bmtbamvibumMiUbimmfdfcn mit gtrogenatiboc^ vnb iomglXFcttatcl)tta bzt mmlid^ mmflet: cmibtbcfcbKibct: ttoc^ jtim^a tiliigbey QAmmm oa fiatt Ctltcie ^cff oU)cifmbit etfttn>e5a:a $(lcjcan2)na obcr iu VERONICA. Woodcut by Michael Wolgemut, inserted in the text of Buck derChroniken. Nuremberg, 1493. A peculiar version of the Veronica legends is found in anAnglo-Saxon manuscript of the eleventh century, preserved in theUniversity Library of Cambridge, the title of which runs NothanisJudaei Legatio, i. e., The Message of
. The Open court. nnmbzttQi^atbcg«|fett. albabiBanit mHxowbtnmiaidfcnb<bmtbamvibumMiUbimmfdfcn mit gtrogenatiboc^ vnb iomglXFcttatcl)tta bzt mmlid^ mmflet: cmibtbcfcbKibct: ttoc^ jtim^a tiliigbey QAmmm oa fiatt Ctltcie ^cff oU)cifmbit etfttn>e5a:a $(lcjcan2)na obcr iu VERONICA. Woodcut by Michael Wolgemut, inserted in the text of Buck derChroniken. Nuremberg, 1493. A peculiar version of the Veronica legends is found in anAnglo-Saxon manuscript of the eleventh century, preserved in theUniversity Library of Cambridge, the title of which runs NothanisJudaei Legatio, i. e., The Message of the Jew Nathan. Karl Pearson in his F;-o;uVa., Plate VI. The drawing differs in some unim-portant details from the painting. The face expresses more firmness of faiththan grief or sorrow and is certainly the work of a great artist, but in allessential points it remains a faithful copy of the original. In both the suda-rium is translucent and tlie figure and posture are identical. 654 THE OPEN ST. VERONICA WITH THE in a German breviary, Egerton Coll., British of 15th century. Veronica is dressed in a red robe anda blue mantle. A BUDDHIST VERONICA. 655
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Keywords: ., bookcentury1800, bookdecade188, booksubjectreligion, bookyear1887
