. International studio. the Ra mat glaze and iand browns, sometimes with Mil SEPTEMBER I O 3 3 mceRnACionAL. other 1916 thepottery pro-duced a softporcelain, witha rich glaze, tocelebrate thethirty-fifthanniversary develop-ment of th^ Tammany Parish, La. The ware is hand thrownby Joseph H. Meyer, for twenty-six years throwerfor Newcomb, then the design is drawn with asoft pencil on the clay vessel and incised with asteel modeling tool giving the effect of low-reliefmodeling. The pot is tired and then the decoratorpaints it in its unglazed state, applying the p
. International studio. the Ra mat glaze and iand browns, sometimes with Mil SEPTEMBER I O 3 3 mceRnACionAL. other 1916 thepottery pro-duced a softporcelain, witha rich glaze, tocelebrate thethirty-fifthanniversary develop-ment of th^ Tammany Parish, La. The ware is hand thrownby Joseph H. Meyer, for twenty-six years throwerfor Newcomb, then the design is drawn with asoft pencil on the clay vessel and incised with asteel modeling tool giving the effect of low-reliefmodeling. The pot is tired and then the decoratorpaints it in its unglazed state, applying the paintwith a brush over the modeled design. Thedesigners are southern men and women educatedin the School of Art, Newcomb College, and thetlora of the South is largely used as subjects fordecoration, the orange, palm, magnolia, jasmine, cypress, pine trees andthe oaks with hangingmoss. Among flowersthe Newcomb designersuse snowdrop, spider-wort, iris, alisa, march-maple and many othermotifs seldom seen inother examples olAmerican decorativeart. The general coloreffect is a combinationof blue and green, to A FINISH
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Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
