Coffee Can, Balus -shaped, with three cranes, Christiaan Warenberg (Attributed to), 1717 The round, baluster -shaped can rest on three legs. He has three cranes, two ears and a loose lid. The cast, curved legs end up in the bottom with convex ribs decorated volutes and split from above, where they can strut the, in two volutes, one facing forward and the other backwards. The legs are each decorated all around with two fields of contiguous grooves, between which a smooth strap on a punched ground. The facing volute at the top is decorated with leaf motifs. A wide edge of alternating narrow godr

Coffee Can, Balus -shaped, with three cranes, Christiaan Warenberg (Attributed to), 1717 The round, baluster -shaped can rest on three legs. He has three cranes, two ears and a loose lid. The cast, curved legs end up in the bottom with convex ribs decorated volutes and split from above, where they can strut the, in two volutes, one facing forward and the other backwards. The legs are each decorated all around with two fields of contiguous grooves, between which a smooth strap on a punched ground. The facing volute at the top is decorated with leaf motifs. A wide edge of alternating narrow godrons and ribs crowned on a punched ground runs around the convex belly. The edge is interrupted in three places by a cast, imposed, leaves surrounded by man's head, who holds a tap in the mouth. Each tap consists of a round part, a cube -shaped widening decorated with rosettes, and an octagonal, curved front piece, at the onset and at the opening surrounded by a profile. In the widening, the crane with a cast grip in the form of a mistress blowing on a shell, and a drop -shaped closure on the underside. The belly is separated by a profile from the vaulted, rejuvenating upper part. This is articulated by a cast, imposed profile, which forms a sculpted arch on both sides. At the front and rear, above this profile, a cast was poured by leaf voltues, with a shield framed, with a cabochon on a punched soil. The upper part is crowned by a smooth edge that widens to a convex band, decorated with flared ribbons between which leaf rosettes on a punched soil, and above it the hollow curved mouth edge. The cast, fluently shaped, from an S and a C-Volute built up ears are decorated with leaf voltuits and a cord of larger pearls. The lower edge of the lid is formed by alternating single and double godrons. Above that, the lid is made up of a constricted part, a convex strap decorated like the tire along the top of the jug, and a vaulted, rejuvenating part that is separated from the vaulted t

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