Modern harmony, its explanation and application . possesses such powers of expressingelemental immensity, what of a passage of fifths ? The veryfirst attempts at Mediaeval harmony were on Impressionisticlines. GUI DO dAREZZO (circa 1022> §i -rr- ^ic^ ti i\ TT The range of emotions under the sway of the fifth is by-no means limited, however, to one order of mood. Whatdiablerie there is in such quint studies as those of Rebikoffs Une Fete (Op. 38), or Gabriel Grovlezs Les Marionettes in his LAlmanach aux Images! Or take the deliciouslittle fragment from his Petites Litanies (see Examp
Modern harmony, its explanation and application . possesses such powers of expressingelemental immensity, what of a passage of fifths ? The veryfirst attempts at Mediaeval harmony were on Impressionisticlines. GUI DO dAREZZO (circa 1022> §i -rr- ^ic^ ti i\ TT The range of emotions under the sway of the fifth is by-no means limited, however, to one order of mood. Whatdiablerie there is in such quint studies as those of Rebikoffs Une Fete (Op. 38), or Gabriel Grovlezs Les Marionettes in his LAlmanach aux Images! Or take the deliciouslittle fragment from his Petites Litanies (see Example 14).Again, contrast the scintillating quint passages in BantocksFifine with the gruesome rushes of fifths in Strausss Elektra and Salome, and, not forgetting scores° FWths.^ of passages in Beethoven, Schumann, Brahms, and Grieg, turn to the pages of Debussy, Ravel, CyrilScott, Vaughan-Williams, Duparc, and Chausson, and thendecide whether fifths are always barbarous, crude, andungrammatical. Vivace. BANTOCK,Fifine at the Fair. Ob. Moderato IMPRESSIONISTIC METHODS 117 KORNGOLD, 2nd. Sonata,
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915
