. International studio. erthe-less, Miss Schille delights us in an unaccustomedrole, but with her usual spontaneity of in the Middle West are becoming con-stantly more numerous. At the same time theyare continually improving in standard of sculpture examples are principally in theform of photographic records. Nellie V. Walker,in her fragments from that lofty conception. HerSon, demonstrates the human tenderness withwhich she animates her productions. Fragmentsfrom the impressive group by Lorado Taft, whichthe author calls The Blind, arc cfTectively repre-sented.
. International studio. erthe-less, Miss Schille delights us in an unaccustomedrole, but with her usual spontaneity of in the Middle West are becoming con-stantly more numerous. At the same time theyare continually improving in standard of sculpture examples are principally in theform of photographic records. Nellie V. Walker,in her fragments from that lofty conception. HerSon, demonstrates the human tenderness withwhich she animates her productions. Fragmentsfrom the impressive group by Lorado Taft, whichthe author calls The Blind, arc cfTectively repre-sented. A small figure with a mantle thrown backfrom the shoulders is a seriously executed work byClara Sorensen. It is catalogued as J. Barnhorn, in his praisworthy Bust ofMr. Frank Duvencck, has struck a note of truththat only the intimacy of close friendship candemonstrate. Further, the technique of thisachievement is vigorous and big, as is that of allMr. Barnhorns performances. The Teii American Painters. Copyright, igog, by N. E. MonlrusSUMMER AFTERNOON THE TEN AMERICAN PAINTERSThe group of paintings by the TenAmerican Painters shown at the Mon- tross Galleries numbered twenty-two,and maintained that level of interest which thevisitor to these delightful annual views is accus-tomed to expect. J. Alden Weir, who was slightlyrepresented last season, contributed seven, includ-ing an unusually delectable landscape called ACorner oj the Field. Childe Hassam sent four,Frank W. Benson three, William M. Chase andRobert Reid two, and the others one each. Ofthese Joseph De Camps The Blue Cup was a deftpiece of craftsmanship showing an interestingstudy in lights. Edmund C. Tarbells unfinishedGirl Reading was another of the pictures in whichhe has been for several years evoking a graciousreminiscence of Dutch brushes of an older this painting recalls its immediate prede-cessors in the general design, the intended effectand the search for restrained color, it is e
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