Portrait . track permits the easel to be moved forwardor backward, and is automatically held in any paper is secured to the enlarging easel by clampsor push pins. Development Special attention should be given to the time ofdevelopment, especially when using both Profes-sional and Soft grades of Cyko in the enlargingroom. Do not use any pet formulae but stick to thoserecommended in the Cyko Manual and Profes-sional Cyko Pointer. Metol, ortol and duratol willall give good results, but do not overwork yourdeveloper. Remember that larger prints take upmore developer and therefore it i


Portrait . track permits the easel to be moved forwardor backward, and is automatically held in any paper is secured to the enlarging easel by clampsor push pins. Development Special attention should be given to the time ofdevelopment, especially when using both Profes-sional and Soft grades of Cyko in the enlargingroom. Do not use any pet formulae but stick to thoserecommended in the Cyko Manual and Profes-sional Cyko Pointer. Metol, ortol and duratol willall give good results, but do not overwork yourdeveloper. Remember that larger prints take upmore developer and therefore it is exhausted quickly. Enlargements on Soft Cyko should be completelydeveloped in 45 seconds if properly exposed, whileenlargements on Professional Cyko should be fullydeveloped in one and one half minutes. A Photographer Requires an Assistant Mr. Franz Josef Spangler, Lexington, Ky., requiresa first-class operator who is a competent Cykoprinter. A permanent position is offered to a reliableman. 8 o r t rait,. Cyko Enlargement from 5x7 Negativemade by Hough Bros., Chicago, 111. a Cykologist J. C. Corbitt Gives Good Advice IF photographers would take as much care withdeveloping paper as they do with their platesthey would find that their troubles would beless. Some photographers think that a fixing bathwill last forever and will answer the purpose of fixingplates as well as prints and oftentimes use it forboth purposes, and they are the ones who are alwayscomplaining about bad results on paper. If I find a man having trouble with sepia tones,I ask him how old the fixing bath is, and usually hecannot tell me or says it has been in use a numberof weeks. You will find that you can get betterresults if you use a fresh fixing bath for each batchof prints. Bear in mind that correct exposure should at alltimes be given. It is much better to take a few minutesof your time and fix everything right than to usepaper and spend money trying to do something ina hurry and then not get the result


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