Rembrandt van Rijn. The Monk in the Cornfield. 1641–1651. Netherlands. Etching with drypoint on ivory laid paper Rembrandt was never shy about showing naked bodies or erotic subjects in a realistic way. In the 1640s he created several scenes of courting couples outdoors, and The Monk in the Cornfield is one of the most sexually charged of these prints. Despite the print’s tiny size, the graphic depiction of an unchaste monk and an enthusiastic milkmaid coupling surreptitiously makes for a powerful sculptural grouping. The etched suggestion of a farmer with a scythe in the background reinforces
Rembrandt van Rijn. The Monk in the Cornfield. 1641–1651. Netherlands. Etching with drypoint on ivory laid paper Rembrandt was never shy about showing naked bodies or erotic subjects in a realistic way. In the 1640s he created several scenes of courting couples outdoors, and The Monk in the Cornfield is one of the most sexually charged of these prints. Despite the print’s tiny size, the graphic depiction of an unchaste monk and an enthusiastic milkmaid coupling surreptitiously makes for a powerful sculptural grouping. The etched suggestion of a farmer with a scythe in the background reinforces the temporary nature of their haven in the wheat field and emphasizes the voyeurism of the viewer.
Size: 3000px × 2301px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
