. International studio. chesof camp life ; and there were besides severalyoung men who developed a talent for draw-ing during their internment ; amongst these Tooly and Sullivan Maloney interested megreatly. Charles Horsfall was a fellow profes-sional painter. This little group of artists had already con-structed a shed, which served as a studio andexhibition gallery, and as I had brought anumber of pictures with me, which I hadpainted during my stay in Holland, they invitedme to have a show of them ; there was anentrance fee of 2d., which went to the artistsfund, and I must say that my pictur
. International studio. chesof camp life ; and there were besides severalyoung men who developed a talent for draw-ing during their internment ; amongst these Tooly and Sullivan Maloney interested megreatly. Charles Horsfall was a fellow profes-sional painter. This little group of artists had already con-structed a shed, which served as a studio andexhibition gallery, and as I had brought anumber of pictures with me, which I hadpainted during my stay in Holland, they invitedme to have a show of them ; there was anentrance fee of 2d., which went to the artistsfund, and I must say that my pictures metwith the most flattering appreciation from themany who visited the show. To return to my pictures, I recognize thatthey represent the brighter side of the life atRuhleben. The splendid courage and goodnature shown by the prisoners would make thegloomiest man ashamed to indulge his melan-choly ; personally I am always disposed tomake the best of things and prefer not to dwellon the sad side. Indeed, it was onlv the. THE BIRD-CAGE, RUHLEBEN (FOR CONFINEMENT OF PRISONERS GUILTY OF BREACHES OF THEREGULATIONS). BY NICO JUNGMANN 98 Studio- Talk
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