. Bulletin. Ethnology. FiGDEH 26.—Shaman's gourd rattles, a, b, c. Views of same instrument, a. The long flgure on the left represents Puanl. The next figure on the right is Hatchawa, next to which is standing Kuma. b. The three figures at the top are, reading left to right, Hatchawa, Kuma, and Itciai. At the extreme right can be seen Puani. In the lower portion the figures represent the Yaruros, except the figure of the bird, symbolism of which remained undisclosed, d, e, f, Views of same rattle. The figures represent the Yaruros dancing around a pole. The small figure in e represents a child
. Bulletin. Ethnology. FiGDEH 26.—Shaman's gourd rattles, a, b, c. Views of same instrument, a. The long flgure on the left represents Puanl. The next figure on the right is Hatchawa, next to which is standing Kuma. b. The three figures at the top are, reading left to right, Hatchawa, Kuma, and Itciai. At the extreme right can be seen Puani. In the lower portion the figures represent the Yaruros, except the figure of the bird, symbolism of which remained undisclosed, d, e, f, Views of same rattle. The figures represent the Yaruros dancing around a pole. The small figure in e represents a FiGUEH 27.—Shaman's gourd rattles, a, h, c, Views of same instrument, d, e, f, g, Views of same instrument, a shows Kuma in the characteristic posture of greeting her people. 6 and c show Kuma dancing with her people, d, e, f, and g are views of the same rattle that show Kuma's people, the dead Yaruros, dancing in her Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Smithsonian Institution. Bureau of American Ethnology. Washington : G. P. O.
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectethnolo, bookyear1901
