. Programme . t the symphony would gain if certainpassages were abbreviated and certain modulations were declared that it was too long; that there was an exag-gerated use of the wind instruments; that the finale was bizarre,harsh, savage. Yet he added that there was such fire, such rich-ness of new ideas, such an absolutely original disposition of theseideas, that the work would live; and it will always be heard withrenewed pleasure when a thousand things that are to-day in fashionwill have been long buried. This sjTnphony was played in Boston on November 12, 1842, ata conce
. Programme . t the symphony would gain if certainpassages were abbreviated and certain modulations were declared that it was too long; that there was an exag-gerated use of the wind instruments; that the finale was bizarre,harsh, savage. Yet he added that there was such fire, such rich-ness of new ideas, such an absolutely original disposition of theseideas, that the work would live; and it will always be heard withrenewed pleasure when a thousand things that are to-day in fashionwill have been long buried. This sjTnphony was played in Boston on November 12, 1842, ata concert of the Boston Academy of Music, for the first time inthe city with full orchestra. The programme was as follows:Reissinger, Overture to Die Felsenmtihle von Etalieres; Song,The Last Man (Mr. Baker) ; de Beriot and Osborne, FantaisieBrillante for violin and pianoforte (Messrs. Keyser and Webb) ;Rossini, Largo al factotum (Mr. Baker) ; Auber, Overture toZanetta; Beethoven, Symphony No. 2. The programme stated. VBAIJjVBD\SONS IMPOJRTEJBS — ORIGJN^OUS 256 Doyiston StreetBoston. AUTUMM AMD WINTERI9I9
Size: 902px × 2770px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881
