. Programme . The flute introduces as an opposing theme a phraseof the slumber motive in the last scene of The Valkyrie. Thisphrase is continued by oboe and clarinet. There is a theme appears in the basses, and reaches a piu forte. A short theme of two descl&nding notes—generally a minor seventhor major sixth, taken from Briinnhildes cry, O Siegfried! Sieg-fried ! see my terror! from the same love scene in Siegfried—appears now in the basses, now in the violins, while wind instru-ments give out chords in triplets. This short theme is much usedthroughout the Idyl. The cradle song,
. Programme . The flute introduces as an opposing theme a phraseof the slumber motive in the last scene of The Valkyrie. Thisphrase is continued by oboe and clarinet. There is a theme appears in the basses, and reaches a piu forte. A short theme of two descl&nding notes—generally a minor seventhor major sixth, taken from Briinnhildes cry, O Siegfried! Sieg-fried ! see my terror! from the same love scene in Siegfried—appears now in the basses, now in the violins, while wind instru-ments give out chords in triplets. This short theme is much usedthroughout the Idyl. The cradle song, Sleep, my little one, sleep, is sung verysimply by the oboe. All these themes are worked up in various shapes until trills onthe first violins lead to the World-treasure motive in Briinnhildesspeech to Siegfried,—Oh Siegfried, thou glorious one! Treasureof the world!,— which is sung first by the wind, A-flat major, 3-4time, afterwards worked out by strings, and then combined withpreceding Reflecting the seasons feminine style noteat its best—expressed in fashions newestfabrics and shades at prices ranging from $ to $ Models made in our own workrooms, likecustom made, with the assurance of obtain-ing the best—and that means real economy. 19 ARLINGTON STREET 2nd Floor, take Elevator Next to Arlington Street Church 174 cL ii^ :iSL
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Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881
