A guide to the paintings in the churches and minor museums of Florence; a critical catalogue, with quotations from Vasari . D FILIPPINO LIPPL The Raising of the Kings Son and S. PeterEnthroned, Altar Wall 1 MASACCIO. S. Peter Baptizing. 2 MASACCIO. S. Peter giving Alms. 3 MASACCIO. S. Peter Preaching. 4 MASACCIO. The Sick healed by the Shadow of S, Peter, Taking the scenes in detail. On the right wall:— 1 MASOLINO. Adam and Eve, These are the only figures which may be given toMasolino. They have neither the characteristic solidmodelling nor the fine drawing of Masaccio. 2 FILIPPINO LIPPL The L
A guide to the paintings in the churches and minor museums of Florence; a critical catalogue, with quotations from Vasari . D FILIPPINO LIPPL The Raising of the Kings Son and S. PeterEnthroned, Altar Wall 1 MASACCIO. S. Peter Baptizing. 2 MASACCIO. S. Peter giving Alms. 3 MASACCIO. S. Peter Preaching. 4 MASACCIO. The Sick healed by the Shadow of S, Peter, Taking the scenes in detail. On the right wall:— 1 MASOLINO. Adam and Eve, These are the only figures which may be given toMasolino. They have neither the characteristic solidmodelling nor the fine drawing of Masaccio. 2 FILIPPINO LIPPL The Liberation of S, Peter, A fine work, showing the influence of Botticelli,especially in the figure of the Angel. £ 66 S. MARIA DEL CARMINE *3 MASACCIO. The Raising of Drusiana andSS. Peter and John healing the Cripple. The authorship of this is nmch disputed, some criticsattributing the Raising of Drusiana to Masohno andthe rest to Masaccio. Vasari gives the whole toMasolino. In my judgment the whole fresco is byMasaccio. The scene is divided into two parts. Onthe right, beneath a loggia, Drusiana rises from the bier. The Raising of Drusiana and SS. Peter andJohn healing a Cripple Masaccio. Carmine. surrounded by her parents, who raise their hands inamazement at the miracle. S. Paul and a disciplestand in front. To the left, S. Peter with S. John(the latter a beautiful figure with blonde hair, recallingthe type of Piero dei Franceschi) heals a cripple, whostretches his arm towards them. Between the sceneswalk two charming youths in dainty tunics of greenbrocade and pink. Behind are houses in good per-spective. ALTAR WALL 67 4 FILIPPINO LIPPL SS. Peter and Paulbefore the Proconsul and The Crucifixion of The masterpiece of Filippino. The figures have adignity lacking in his later work. To the right isthe Proconsul, whose features seem copied from somebust of Nero. Opposite to him is a noble Dantesquefigure, who appears to be accusing the Apostles ofdefacing an idol whic
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Keywords: ., bookauthorvasarigiorgio15111574, bookcentury1900, bookdecade1900
