Cyclopedia of architecture, carpentry, and building : a general reference work . RENDERING 15 Most pal white, as well as a principal black is thus obtained,drawincrs permit the dark accent and the light area also. Fio. 17 is rendered to a greater extent than should be at-tempted by the student in this course, but it may be helpful tocall attention to some things in its Fig. 16. The location of the dark accent is apparent in the trees at theleft. The otlier blacks, the trees in front of the building andthose down at the extreme right, simply repeat in diminishingforce and size, th
Cyclopedia of architecture, carpentry, and building : a general reference work . RENDERING 15 Most pal white, as well as a principal black is thus obtained,drawincrs permit the dark accent and the light area also. Fio. 17 is rendered to a greater extent than should be at-tempted by the student in this course, but it may be helpful tocall attention to some things in its Fig. 16. The location of the dark accent is apparent in the trees at theleft. The otlier blacks, the trees in front of the building andthose down at the extreme right, simply repeat in diminishingforce and size, this first dark accent. The light area of the draw-ing is as distinctly shown as the dark accent; in fact this largelight is the feature of this rendering. The light brick renderingof the gable is necessary to confine the light a little more surelyto the important portion of the wall. Also, if this light renderingwere omitted the building would appear unpleasantly white. The half tone of the roof is necessary to give a soft contrastto the light wall surface. The sky has its use. Cover it up, andsee how the whole subject slumps downward. Last, but not least, observe that the corners of the drawingare kept flee from rendering. This is usually safe. Let therendering of every sort gather about the central object. The cor-ners of a drawing mav then be left to take care of themselve
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Keywords: ., bo, bookcentury1900, booksubjectarchitecture, booksubjectbuilding
