Programme . (The Present vState of Music in France and Italy,pp. 23-28). The performance was in the great hall of the disliked a motet by Talande, applauded an oboe concerto playedby Besozzi, the nephew of the famous oboe and bassoon players ofTurin, disliked the screaming of Miss Delcambre, approved the vio-linist Traversa. The whole v\^as finished by Beatus Vir. . Theprincipal counter-tenor had a solo verse in it which he bellowed outwith as much violence as if he had done it for life, while a knife wasat his throat. But though this wholly stunned me, I plainly saw,by the smiles of
Programme . (The Present vState of Music in France and Italy,pp. 23-28). The performance was in the great hall of the disliked a motet by Talande, applauded an oboe concerto playedby Besozzi, the nephew of the famous oboe and bassoon players ofTurin, disliked the screaming of Miss Delcambre, approved the vio-linist Traversa. The whole v\^as finished by Beatus Vir. . Theprincipal counter-tenor had a solo verse in it which he bellowed outwith as much violence as if he had done it for life, while a knife wasat his throat. But though this wholly stunned me, I plainly saw,by the smiles of ineffable satisfaction which were visible in the coun-tenances of ninety-nine out of a hundred of the company, and heard,by the most violent applause that a ravished audience could bestow,that it was quite what their hearts felt and their souls loved. Cestsuperbc! was echoed from one to the other through the whole house. GLOVES MAY BE RIGHTAND NOT BE FOWNES BUT THEY CANT BE FOWNES AND NOT BE RIGHT. 107. HARDMAN PIANO A tone that is rich, full, sweet, musically beau-tiful and a strength and order of construc-tion that resist the strain and use of climaticchanges,— this is the kernel of Hardman prices and easy terms. Established in 1842. Booklets of information. Hardman, Peck &f Co., MakersFifth Avenue and 19th Street, New York Represented in Boston by the COLONIAL PIANO COMPANY 104 Boylston Street 108 But the last chorus was a finisher with a vengeance! It surpassed allclamor, all the noises, I had ever heard in my life. I have frequentlythought the choruses of our oratorios rather too loud and violent; but,compared with these, they are soft viusic, such as might soothe andlull to sleep the heroine of a tragedy. The attack of this orchestra became a tradition. Parisians boastedof it everywhere. Raaff, the tenor, met one in Munich. The French-man said: You have been in Paris? Yes, answered you at the Concert Spirituel? Yes. What do you thinkabout the
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