A new history of painting in Italy : from the II to the XVI century . oj5b 3ui VAH 8IB = s o H<! t-H O. GONFALONE DI S. BERNARDINO Boxnou. Pinacoteca, Perugia. BONFIGLI 177 which is that of Bonfigli, perhaps more than usually intermingled withSienese features like those of Taddeo or Domenico Passavantremarks, that according to tradition this Adoration is due to the year1460 ;2 but this must be proved. Bonfigli had already entered intoa very extensive practice at that time. He had not only accepted (1454the commission for frescoes in the Palazzo Comunale,3 but (1459) anotherfor a B
A new history of painting in Italy : from the II to the XVI century . oj5b 3ui VAH 8IB = s o H<! t-H O. GONFALONE DI S. BERNARDINO Boxnou. Pinacoteca, Perugia. BONFIGLI 177 which is that of Bonfigli, perhaps more than usually intermingled withSienese features like those of Taddeo or Domenico Passavantremarks, that according to tradition this Adoration is due to the year1460 ;2 but this must be proved. Bonfigli had already entered intoa very extensive practice at that time. He had not only accepted (1454the commission for frescoes in the Palazzo Comunale,3 but (1459) anotherfor a Brutus in the refectory of the Priori in the same building ; andin 1461,4 he enjoyed the honour of seeing the first of these orders valuedby Fra The Priori did not at first contract for the whole chapel. Theyresolved that the wall hallowed by the altar should be decorated with aCrucifixion, in which SS. Louis and Ercolano should attend on the Virginand Evangelist, whilst on the remaining area, forming one half of thechapel, the legend of S. Louis should be illustrated. It is not difficultto a
Size: 1215px × 2056px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, bookpublisherlondondent, bookyea
