. Programme . night—for somenights my poor Robert has not slept on account of it. He calls itSpring Symphony ... A spring poem by * * gave him the firstimpulse toward composition. (Litzmann adds in a note that Schumann at first thought ofmottoes for the four movements, The Dawn of Spring, Evening,Joyful Playing, Full Spring. Clara did not write out the poetBottgers name in her diary.) According to the diary Schumann completed the symphony onTuesday, January 26. Begun and finished in four days. ... Ifthere were only an orchestra for it right away. I must confess,my dear husband, I did not give
. Programme . night—for somenights my poor Robert has not slept on account of it. He calls itSpring Symphony ... A spring poem by * * gave him the firstimpulse toward composition. (Litzmann adds in a note that Schumann at first thought ofmottoes for the four movements, The Dawn of Spring, Evening,Joyful Playing, Full Spring. Clara did not write out the poetBottgers name in her diary.) According to the diary Schumann completed the symphony onTuesday, January 26. Begun and finished in four days. ... Ifthere were only an orchestra for it right away. I must confess,my dear husband, I did not give you credit for such began to work on the instrumentation January 27, andClara impatiently waited to hear a note of the symphony. The in-strumentation of the first movement was completed February 4,that of che second and third movements on February 13, that of thefourth on February 20, in the year 1841. Not till February 14 didSchumann play the symphony to her. E. F. Wenzel, later a teacher. FAN C H ONETTE | A Serenade I Kathleen Blair Clarke I — I A true serenade of the loveliest kind, this song is | well within the compass of the average voice. Its rare j effectiveness does not depend upon interpretation—it 1 is part of the song itself. I Mr. John McCormack has accepted the dedication. | 3 East 43d St. • G. SCHIRMER • New York f 80 at the Leipsic Conservatory, and E. Pfiindt, a kettledrum playerof the Gewandhaus orchestra, were present. I should like, shewrote in her diary, to say a little something about the symphony,yet I should not be able to speak of the little buds, the perfume ofthe violets, the fresh green leaves, the birds in the air. ... Do notlaugh at me, my dear husband! If I cannot express myself poetic-ally, nevertheless the poetic breath of this work has stirred my verysoul. The instrumentation was completed on February 20. Clara wrote to Emilie Liszt after the performance: My husbandssymphony achieved a triumph over all cabals and in
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