Harmony simplified, a practical introduction to composition . VI6:i„ T I T I HARMONY SIMPLIFIED. 69 Bkahms. Op. 1. Zeltbe. Der Konig in V I III e -•- a; I V VI iv V, The III+ is rarely used in simple four-part writing. Whenused it progresses to the VI as in the major mode, that is, thenorma,! progression. Se must progress to Lah. Figure 116, chord is often used with the fifth omitted, thus evading thedifficulty. See Figure 117, last chord. The VI is here a major chord. It progresses to the 01° or n^ asin the major mode, although the progression cannot he called normalsince the ii

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Harmony simplified, a practical introduction to composition . VI6:i„ T I T I HARMONY SIMPLIFIED. 69 Bkahms. Op. 1. Zeltbe. Der Konig in V I III e -•- a; I V VI iv V, The III+ is rarely used in simple four-part writing. Whenused it progresses to the VI as in the major mode, that is, thenorma,! progression. Se must progress to Lah. Figure 116, chord is often used with the fifth omitted, thus evading thedifficulty. See Figure 117, last chord. The VI is here a major chord. It progresses to the 01° or n^ asin the major mode, although the progression cannot he called normalsince the ii° is not a perfect fifth below the VI. Figure 116j b. The vii° precisely ag in the major mode. Figure 116, «?. The nP (on Te) is here a diminished chord, but is us«jd justas the n (on Ray) in the major mode, unless perhaps the a posi-tion is more rare. As Te is no longer the leading tone it is freeto move either up or down or by a skip. Figure 116, b. Handel. 115. telpEfeSlle^S^B itM sr==pqcpz|=g=i:--f =rt :ttt d: IV -^^ m^j^ f:Akh^ I I I m VIiiO^ le V 116. ^- :g=orffz=^ ^^ :^==^lgi -^ i 2=1 *- ]=i^ i &:::§= ?21)

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