. Architect and engineer. IC O N P lCOL PLANS, RESIDENCE OF ROBERT E. HATCH. OAKLANDARTHUR F. DUDMAN. ARCHITECT take the chill from these rooms when thefurnace is not in operation. The lawnsprinklers are fed from the swimming poolthrough a booster pump. The Oliver F. Hatch residence in Mar-tinez is on a steep hillside lot with a splen-did view over the town and bay and theSolano hills in the background. Here theprimness and low roof of the Montereytype suits admirably the terrain and sunny exposures. Due to the many warm daysand nights cross ventilation is highly de-sired as is the sheltered d
. Architect and engineer. IC O N P lCOL PLANS, RESIDENCE OF ROBERT E. HATCH. OAKLANDARTHUR F. DUDMAN. ARCHITECT take the chill from these rooms when thefurnace is not in operation. The lawnsprinklers are fed from the swimming poolthrough a booster pump. The Oliver F. Hatch residence in Mar-tinez is on a steep hillside lot with a splen-did view over the town and bay and theSolano hills in the background. Here theprimness and low roof of the Montereytype suits admirably the terrain and sunny exposures. Due to the many warm daysand nights cross ventilation is highly de-sired as is the sheltered dining room andsitting porch. The T. P. Wadsworth house is anothersolution to the steep lot problem. Here,however, attempt was made to take advan-tage of an admirable view and also to pro-vide a living garden that will trap the sunbut be protected from the western winds. THE ARCHITECT AND ENGINEER < 21 ? JULY, NINETEEN THIRTY-THREE. PATIO OF A SMALL HOUSE IN SPAIN THE AND ENGINEER -^ 22 ? 1 NINETEEN THIRTY-THREE UNITY OF THE ARTS GK .HERE was a phrase,once very popular, that we created tojustify to ourselves, if possible, our ownvalidity and the validity of the civilizationwhich we have created. That phrase wasrugged individualism. I am not con-cerned at this time with the results of thisin the social, economic, and political field;rather do I want to propose the questionwhether this same rugged individualism hasnot entered measurably also into the do-main of the arts to their great disadvantageand even disaster. In the past, art was not a thing apart,the right of the artist alone. Beauty the contrary, about the only naturalright of man: a thing that everyone couldcount on as a part of his heritage. That hadalways been true from the very beautiful thing was the right thing andthe true thing, and the ugly was the falsething. Though we often refuse to acknowl-edge it, this
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