. Keramic studio. NIGHT LAMP—LEAH H. RODMAN PLIIRAMIC STUDIO NIGHT LAMP—LEAH H. RODMAN 109 STUDIO NOTE Treatment by Jessie M. Bard IN making your tracing for this design round off all thepoints a little so you will not feel them. Carry out de-sign in Gold. The grey background between panels carryout in rather thin wash of Yellow Brown Lustre. The lightbackground is white or can be tinted with Pearl Grey and alittle Yellow. We wish to correct a slight error in a studio note ap-pearing in the August issue, which implied that Mrs. DorotheaWarren 0 Hara had given up her work entirely. We are in-fo


. Keramic studio. NIGHT LAMP—LEAH H. RODMAN PLIIRAMIC STUDIO NIGHT LAMP—LEAH H. RODMAN 109 STUDIO NOTE Treatment by Jessie M. Bard IN making your tracing for this design round off all thepoints a little so you will not feel them. Carry out de-sign in Gold. The grey background between panels carryout in rather thin wash of Yellow Brown Lustre. The lightbackground is white or can be tinted with Pearl Grey and alittle Yellow. We wish to correct a slight error in a studio note ap-pearing in the August issue, which implied that Mrs. DorotheaWarren 0 Hara had given up her work entirely. We are in-formed, on the contrary, that she will soon occupy an artisticstudio in the Maxfield Parrish House, in the GramercyDistrict, New York SWEET PEA PLATE—MARIE A. LOOMIS PAINT in flower forms with one part Copenhagen Blue,two parts Banding Blue, one part Violet, outliningwith same colors, also the outline of panel back of , stems and bands, two parts Apple Green, one partBrown Green, one part Banding Blue, outlining with DarkGreen. Center of flower form Gold. Second Fire—Paint over entire design including panelback of it and green bands with Copenhagen Blue and dustwith Pearl Grey when nearly dry. The space between andaround panel, rim of plate and centre is left white or delicatelytinted with the Copenhagen Blue and dusted with PearlGrey. no nEKAMIC STUDIO


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Keywords: ., bookcentury1800, bookdecade189, booksubjectdecorationandornament