Catalogue of the pictures, drawings, etchings and objects of art . Signed: Corot. 67. Early morning. View of the cliffs on the Frenchcoast. An uncommon subject with this fine are the bright colours in theclearly defined reflexions of the shadowy parts. 17 in. h., 23^/4 in. w. — Signed: Corot. 68. Evening. A sketch treated in an ample style andwarm in coulouring. 17^/4 in. h., 23V2 in. w. — Signed: Corot. 69. In the lane. A highly finished picture, painted indecided greens, pigments seldom used by the represents a path in a wood, occasional sunbeamsfiltring throu
Catalogue of the pictures, drawings, etchings and objects of art . Signed: Corot. 67. Early morning. View of the cliffs on the Frenchcoast. An uncommon subject with this fine are the bright colours in theclearly defined reflexions of the shadowy parts. 17 in. h., 23^/4 in. w. — Signed: Corot. 68. Evening. A sketch treated in an ample style andwarm in coulouring. 17^/4 in. h., 23V2 in. w. — Signed: Corot. 69. In the lane. A highly finished picture, painted indecided greens, pigments seldom used by the represents a path in a wood, occasional sunbeamsfiltring through the trees, throwing, here and there,patches of light on the ground- A harmoniousintensity of tone pervades the whole in. h., 22 in. w. — Signed: Corot. 70. View on Villeneuve-lez-Avignon. An elaboratecomposition. The middle distance, towards the centre,is occupied by picturesque buildings dating fromthe middle-ages. In the foreground^ under the shadowof some trees, are a group of four persons. 15 in. h., 29I/2 in. w. — Signed: Corot. 15. 74 COURBET. 71. View in the sandhills. A vigorous sketch of a hillylandscape. Fine sky with drifting clouds. In theforeground, to the left, a couple of in h., 21^/4 in. w. — Signed: Corot. COURBET. Gustave Courbet, French artist born atOrnans in 1819, died in Switzerland in 1877. 72. A hilly landscape, propably a view in the FrenchArdennes. In this picture almost all the coloursare laid on with the palette-knife. 27^/4 in. h., 35V2 in w. — Signed: G. Courbet. 73. A study of still life. Apples against a hilly landscapebackground. A composition remarkable for soundtreatment and high finish. Courbet painted thiscanvas in the prison S-^ Pelagie, where he wasconfined for a considerable time after the background is a proof of the mistaken ideathat the artist could only paint from nature. 23^/4 in. h., 29 in. w. — Signed: G. Courbet. 7/.S^^ Pelagie. i6 74. A study from the nude. Recumbent figure of
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Keywords: ., boo, bookcentury1900, bookdecade1910, booksubjectart, bookyear1910
