. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . E^i§:j| nical Thus you have a (liort Account how ^ds andeths may follow one another when they are of the fame. FiGURATE DesCAKT. lOj . fame kind. As for their change from Greater orLejfer^ or the contrary, it is fo natural, that youcannot Afcend or Defcend, either in ^ds or 6ths,but it muft be by a frequent changing from theLejfer to the Greater^ or from the Greater to theLeffer. Now, as to their PafTages into other Concords \the moil: natural is commonly that which maybe done with the leafl: remov

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. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . E^i§:j| nical Thus you have a (liort Account how ^ds andeths may follow one another when they are of the fame. FiGURATE DesCAKT. lOj . fame kind. As for their change from Greater orLejfer^ or the contrary, it is fo natural, that youcannot Afcend or Defcend, either in ^ds or 6ths,but it muft be by a frequent changing from theLejfer to the Greater^ or from the Greater to theLeffer. Now, as to their PafTages into other Concords \the moil: natural is commonly that which maybe done with the leafl: remove. Hence it is obferved, that the Lejfer 6th paffesmore naturally into a 5?/;, and the Greater 6tbinto an 8^/7, as you ihali fee in the following In-fiances. Greater 6th, . i! t 1 I j.^ Lejfer 6th. 6 5 65 6 8 6 8 Cadence of the Greater 6th,

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Keywords: ., bookcentury1700, bookdecade1730, bookidcompendiumor, bookyear1732