Italian Seaport, Gijsbertus Craeyvanger, after Johannes Lingelbach, 1833 print A fantasized performance of a southern harbor with different figures, a camel and classical architecture. On the left a slave -made African boy next to a man with a turban who holds a sealed document in European clothing. In the middle three men in conversation around Balen Merdenaar and other objects. One of them is an Islamic Galace slave, recognizable by his typical haircut and single buoy. Left behind them a man with turban and umbrella on a camel and a pakezel. In the background a Galeischip and other boats in
Italian Seaport, Gijsbertus Craeyvanger, after Johannes Lingelbach, 1833 print A fantasized performance of a southern harbor with different figures, a camel and classical architecture. On the left a slave -made African boy next to a man with a turban who holds a sealed document in European clothing. In the middle three men in conversation around Balen Merdenaar and other objects. One of them is an Islamic Galace slave, recognizable by his typical haircut and single buoy. Left behind them a man with turban and umbrella on a camel and a pakezel. In the background a Galeischip and other boats in the harbor. The print was made to a painting by Johannes Lingelbach in Museum Het Mauritshuis. print maker: Netherlandsafter painting by: Amsterdamprinter: Amsterdampublisher: Amsterdam paper. harbour. trireme, galley. slavery; serfs and the enslaved. head-gear: turban. hoofed animals: camel
Size: 6884px × 4772px
Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No
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