. The book of photography; practical, theoretical and applied. Fig. 571.—Green Negative. Fig. 509.—The Ives Process. Original Subject. shown by the combination of the required component colours, in the requisite pro- 572 show the red, green, and blue-violet portions. negatives obtained from such a subject; while Figs. 573, 574, and 575 show the ^ -,, t, r^ The KROiisKOP or The principle of the Ives Kromskop isillustrated by Fig. 576, which is a sectionthrough the apparatus. The pictures are Fig. 570.—llED Negative. corresponding transparencies. Compari-son of these, one wit
. The book of photography; practical, theoretical and applied. Fig. 571.—Green Negative. Fig. 509.—The Ives Process. Original Subject. shown by the combination of the required component colours, in the requisite pro- 572 show the red, green, and blue-violet portions. negatives obtained from such a subject; while Figs. 573, 574, and 575 show the ^ -,, t, r^ The KROiisKOP or The principle of the Ives Kromskop isillustrated by Fig. 576, which is a sectionthrough the apparatus. The pictures are Fig. 570.—llED Negative. corresponding transparencies. Compari-son of these, one with another, will en-able the principle to be readily example, if a red glass were placedbehind the red transparency, Fig. 573, itis clear that the only part which willsuffer the red light to come through isthe transparent portion of the shield,which, it will be remembered, is red inthe original. Similarly, when a greenglass is used for viewing the green trans-parency. Fig. 574, only the ground will be:seen, the shield being represented by an
Size: 1893px × 1320px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, booksubjectphotography, bookyear
