. Harmony : a course of study . 3fe £=EE ±sk *t=*l -%- 202. -&&- £°;V> a: iv 6+5 a is V7 of, and resolves to, Bb: is iv|+ of, and resolves to, a: 1. Since the seventh of this chord is a perfect fifth above the third,consecutive fifths result from a resolution to the dominant. (SeeTable I, b, 3.) Note. These particular fifths are not especially bad, being in the inner voices. Such fifths are avoided by placing the third of the chord above theseventh (see Table I, a, 2, 3, 6, b, 4, 5, 6, etc.), in which caseit may resolve to either the tonic or dominant triad. Observe thatthe interval of
. Harmony : a course of study . 3fe £=EE ±sk *t=*l -%- 202. -&&- £°;V> a: iv 6+5 a is V7 of, and resolves to, Bb: is iv|+ of, and resolves to, a: 1. Since the seventh of this chord is a perfect fifth above the third,consecutive fifths result from a resolution to the dominant. (SeeTable I, b, 3.) Note. These particular fifths are not especially bad, being in the inner voices. Such fifths are avoided by placing the third of the chord above theseventh (see Table I, a, 2, 3, 6, b, 4, 5, 6, etc.), in which caseit may resolve to either the tonic or dominant triad. Observe thatthe interval of the diminished third or tenth invariably resolves to aperfect unison or *5* HARMONY.
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