. A new history of painting in Italy, from the II to the XVI century; . TABERNACLE OF NUOVOLI 411 possessions. Antonio was employed by the AcciaiuoU in theCertosa of Florence to paint an altarpiece, and a fresco of theTransfiguration, which have perished. Vasari errs, as usual, inaffirming that he died in 1384, aged seventy-four. Two yearslater he was still labouring in the Campo Santo. CHAPTER XXIII GHERARDO STARNINA AND ANTONIO VITE An artist of undoubted talent and conspicuous fame owed hiseducation to Antonio Veneziano. Gherardo Stamina bequeathedto Masohno a style reminiscent of that whic
. A new history of painting in Italy, from the II to the XVI century; . TABERNACLE OF NUOVOLI 411 possessions. Antonio was employed by the AcciaiuoU in theCertosa of Florence to paint an altarpiece, and a fresco of theTransfiguration, which have perished. Vasari errs, as usual, inaffirming that he died in 1384, aged seventy-four. Two yearslater he was still labouring in the Campo Santo. CHAPTER XXIII GHERARDO STARNINA AND ANTONIO VITE An artist of undoubted talent and conspicuous fame owed hiseducation to Antonio Veneziano. Gherardo Stamina bequeathedto Masohno a style reminiscent of that which Antonio had deve-loped, and so claims a place in the direct descent of the Giottesquesto Angelico and Masaccio. Yet this at first sight would seem tobe but a deduction from the assertions of Vasari, a historian proneto error, as we all know, for of Stamina not a single authenticwork remains. Gherardo was born at Florence in 1354,^ andspent a number of years under the tuition of Antonio mastered design and painting, he settled in Florence, where,in
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