. The complete carriage and wagon painter : a concise compendium of the art of painting carriages, wagons and sleighs, embracing full directions in all the various branches, including lettering, scrolling, ornamenting, striping, varnishing and coloring with numerous recipes for mixing colors. Fig. 16. Fig. 15. Panel Striping for Spring-bars. Fig. 16. Strip-ing the Top of a Sirring. THE COMPLETE CARRIAGE AND WAGON PAINTER. 61 Fig. 17 shows the back end of the shifts, and a portionof the cross-bar, giving an ilea h >w a stripe may beput on such Fig. 17. Showing a method of Strijring
. The complete carriage and wagon painter : a concise compendium of the art of painting carriages, wagons and sleighs, embracing full directions in all the various branches, including lettering, scrolling, ornamenting, striping, varnishing and coloring with numerous recipes for mixing colors. Fig. 16. Fig. 15. Panel Striping for Spring-bars. Fig. 16. Strip-ing the Top of a Sirring. THE COMPLETE CARRIAGE AND WAGON PAINTER. 61 Fig. 17 shows the back end of the shifts, and a portionof the cross-bar, giving an ilea h >w a stripe may beput on such Fig. 17. Showing a method of Strijring the Cross-barand back end of the Shaft. 62 THE COMPLETE CARRIAGE AND WAG6N PAINTER. BREAKING LINES. Fig. 18 illustrates what is known as a break in a double fine line, and is used to break the monotony of acontinuous stripe. It is useful onbody bolts or name panels as wellas on gears. A POUNCE BAG. Fig. 19 gives a general idea ofthe finish at the end of a panelstripe. Such designs require pat-terns, and to make them, take apiece of thin tissue paper and copythe illustration, or draw a new de-sign, then perforate the paper witha needle into small holes, thus :
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Keywords: ., bo, bookcentury1800, bookdecade1890, bookidcarriagewagonpai00schr
