. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. oboe, hautbois.)The tonal-quality of this instrument is nasal and sad, and is excellently adapted to the illus-tration of pastoral (rural) scenes. Used in theMinor Keys it is expressive of ennui, extremesadness and suffering. Tonal Compass forSolo Playing. .-^- (J) — r (tr*) Tonal Compass 1 ~p for Pytt Orchestral Playing, tist GROUP II.—WIND INSTRUMENTS. 93 Trills, broken chords, skips and arpeggios
. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. oboe, hautbois.)The tonal-quality of this instrument is nasal and sad, and is excellently adapted to the illus-tration of pastoral (rural) scenes. Used in theMinor Keys it is expressive of ennui, extremesadness and suffering. Tonal Compass forSolo Playing. .-^- (J) — r (tr*) Tonal Compass 1 ~p for Pytt Orchestral Playing, tist GROUP II.—WIND INSTRUMENTS. 93 Trills, broken chords, skips and arpeggios as 1 following examplesadapted to this instrument are shown in the 0 tr tr tr tr a. Easy tr tr tr tr tr tr «J -«- i^- tf^^~ ^s> ^ ,oJ tr tr tr xi-^ K tr K ^^ i.^.^ ^ ^ tr r ir ,^ tr f^ <r- b^^-^-\ :i^- ^^^- :t^- ^t^f^#^ —^—^- A^—&- ~W^ :3= t^-l: -^ff^^-- L^—^ - ^ —^ ■■ *- lD ^h- A-% ^^ <j^ hJ5 /r ^-tt- 1 f^ ir ^n. ki. h&. h^ t^i£ -£ *li^ /f - ^— ^i:; —»,^— uM 1 L 1 i b. Difficult Trills. S^ :#^= l^^^=[t=^ ^^=^=fF^i£ a^ (!r <r c. Impossible Trills. ^.^ !r ^^^ tx ^^tr /uj: /fe4-. ^- = |-^- 1^-^ -sr r*- -zr a. Easy broken i. Easy Arpeggios. ^i^S^fj^^^p^ i£ b. Difficult Arpeggios. .^-f^t-:t-^- &i=5 :& 94 KLINGS MODERN INSTRUMENTATION AND ORCHESTRATION. The intervals from : ^--^ are rough ; those from : are the best-sounding notes of the Oboe, andthose from : are sharp and cutting and not effective to anyextent. In scoring, 2 Oboes are usually em-ployed, of which the first is often used as asolo-instrument for passages expressive of asimple, graceful, rural or sad character. The Oboe is also well adapted for joyous, droll andhumorous scenes. Detached passages executedstaccato are very effective at times, providingthey are not used too frequently ; Legato pas-sages are more expressive of the true characterof the instrument. Haydn, Mozart, Beethoven,Weber, Meyerbeer, R. Wagner, Auber, Halevy,H. Berlioz, etc., have used t
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