Het is goed om een vrouw aan te nemen Yometoriyoshi Een serie voor de Hanazono dichtersvereniging Hanazono bantsuzuki (serietitel) a woman standing next to a miniature landscape on a table with the figures and Jô Uba, together symbolize a long and happy married life. With two poems. The prints from this series connect to the belief that the first activities of the new year was extra special. Red cartouche on the prints referring to almanacs Where: in indicated which activities may or better could be done on certain days born by people in a particular jaar. Manufacturer : printmaker: Totoya Hok


Het is goed om een vrouw aan te nemen Yometoriyoshi Een serie voor de Hanazono dichtersvereniging Hanazono bantsuzuki (serietitel) a woman standing next to a miniature landscape on a table with the figures and Jô Uba, together symbolize a long and happy married life. With two poems. The prints from this series connect to the belief that the first activities of the new year was extra special. Red cartouche on the prints referring to almanacs Where: in indicated which activities may or better could be done on certain days born by people in a particular jaar. Manufacturer : printmaker: Totoya Hokkei (listed building) poet Kagendô Tsugio ( listed on object) poet Kandasha Tamanae (listed property) Place manufacture: Japan Date: 1822 - 1825 Physical characteristics: color woodblock; line block in black with color blocks; metallic pigment material: paper Technique: color woodblock dimensions: sheet: h 203 mm (shikishiban) b × 176 mmToelichtingEen surimono is a luxurious picture in which image is combined with one or more of poems. When the printing of a surimono was often use is made of thicker paper, embossing, and metal pigments, such as copper and silver powder. The prints were often commissioned by poets and as an exclusive gift to friends and relations and legal gegeven.


Size: 1478px × 1691px
Photo credit: © Art World / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: