. The Rotunda . .:;!!; i.^hiphier iMildred Smith ICiizabeih Scott Vaughan Thelma Williams Laura Hurt Atlieniiin Henrietta Binfoi,; :ria Codd I-ouiso Hix Madeline Gary Grace George Gwendolyn Hardv A11C f . tu^^ *(riaitvs .ni, M I. i\ i^ee MalbonLucy Morri^i\l. rjcrie ThomasMary WadeBetty WhiteAlice Williams•Ada WilliamisonKatherine Wise JeflfersoiiHaze] GlazierMary ToneyMadeline HillPansy HillJu son JonesRebecca LiebmanSadie BairdRachel Th mipsonFrances JarvisRuby YoungerEvelyn JonesLouise VaughanXannie MooreLouisa CurrieGrace JonesHattye WaltonChes
. The Rotunda . .:;!!; i.^hiphier iMildred Smith ICiizabeih Scott Vaughan Thelma Williams Laura Hurt Atlieniiin Henrietta Binfoi,; :ria Codd I-ouiso Hix Madeline Gary Grace George Gwendolyn Hardv A11C f . tu^^ *(riaitvs .ni, M I. i\ i^ee MalbonLucy Morri^i\l. rjcrie ThomasMary WadeBetty WhiteAlice Williams•Ada WilliamisonKatherine Wise JeflfersoiiHaze] GlazierMary ToneyMadeline HillPansy HillJu son JonesRebecca LiebmanSadie BairdRachel Th mipsonFrances JarvisRuby YoungerEvelyn JonesLouise VaughanXannie MooreLouisa CurrieGrace JonesHattye WaltonChester HufftonMamie AyresFrances BrightwtdiDaplmey Webb PierianCatherine BentleyJoy BurchMargaret CarterMarjoric CarterAlberta CollinsAlferda CollinsSara Dolli\Iary DuncanAlice FewellBelle FlowersLois EraserVirginia HornerVirginia HarveyGwendolyn HatchDorothy Jones(Continued on page). ART CORNER DIANA (^VHII The imagination of the Greeks dc-ightod in sculpture; therefore, theart in which they took precedence of ail .thcr nation-;, the plastic art. As a result of the PeloponnesianWar, which ia the capturer:f Athens, Greek art cf the fifth cen-tury B. C. became a meditative art in-stead of a serene art, Praxiteles wasone of the most outstanding sculptorsof that age an lo hiiiiv bidong-; thefamous Dianas. The statue of Diana r Di-ana Gabii wag presented, to the StateTea-jhers Colege by the graduatingclass of 1908. At the present time itnlaced in the main auditorium, onthe ic i*!^ ss you face the th ^nie c-f Praxiteles, theshape of the lav* » Greek sculpturewas rcund, but in h. t^ the face is:val. The features follow f^:.!^ otherwth soft transition, yet each is clt«ly formed and finished. , an; rather low anc, narrow,the brow passes into the marked andnrominent nose and so on into th I Just Ore iiliK-k From Uam
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Keywords: ., bookcentury1900, bookdecade1920, bookidlongwoodcoll, bookyear1920
