. Programme. uschaft, Hamburg, 1737, p. 101). The first symphonies of Sammartini (1705-75?) were written foropen-air performance, and Mozart wrote his father in 1782 thatone Martin had obtained permission to give twelve concerts in theAugarten at Vienna and four grand concerts of nigbt-music inthe finest squares of the town. Volkmann planned his three ser-enades for concert-hall use. Brahms applied the term serenadefor his Op. 11 and Op. 16, which were published in 1860, but HansVolkmann in his biography of Robert Volkmann (Leipsic, 1903)says that the latter did not know these works of Brahms
. Programme. uschaft, Hamburg, 1737, p. 101). The first symphonies of Sammartini (1705-75?) were written foropen-air performance, and Mozart wrote his father in 1782 thatone Martin had obtained permission to give twelve concerts in theAugarten at Vienna and four grand concerts of nigbt-music inthe finest squares of the town. Volkmann planned his three ser-enades for concert-hall use. Brahms applied the term serenadefor his Op. 11 and Op. 16, which were published in 1860, but HansVolkmann in his biography of Robert Volkmann (Leipsic, 1903)says that the latter did not know these works of Brahms when hecomposed his own serenades. Those of Brahms are more in thesymphonic manner; while the purpose of Volkmann was perhaps towrite music that would satisfy the dictum of the talker reportedby Athenaeus: Music softens moroseness of temper; first dissipatessadness, and produces affability and a sort of gentlemen-like Volkmanns third Serenade begins in doleful dumps. f?og^g?iMg77gn^gi^i%?ymr^7g;Ti?]^^.
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
