Modern harmony, its explanation and application . It is but a short step from pedal-chords to pedal-figures. If the ear can accept a combination of notes as abackground on which to work more interestingFiguras. figures, it can equally well place similarly a charac-teristic figure. Witness the violin trill in Stan-fords beautiful First Irish Rhapsody and the little treblefigure in York-Bowens Suite. Ex. 326. Allegro molto C. V. STANFORD,1st Irish Rhapsody. Timp. ^Pl *»yfrfr ret mm a -&^

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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915