International studio . besaid, however, that he has not developedsince the first days when he loved to delight 154 us with the thousand-and-one anecdotescoming from his brush, anecdotes of whichmany still remain as vivid as ever. In hislater work there is a serenity and sweetnesswhich must be ascribed to a riper experi-ence of life. His earliest masters wereBarthelemy, Menn, and Alfred van Muy-den. Like many artists of his generation,he began by painting enamels and ex-hibited a marked talent in this still veryconventional art. Then, after trying hishand at illustrating with success, he starte
International studio . besaid, however, that he has not developedsince the first days when he loved to delight 154 us with the thousand-and-one anecdotescoming from his brush, anecdotes of whichmany still remain as vivid as ever. In hislater work there is a serenity and sweetnesswhich must be ascribed to a riper experi-ence of life. His earliest masters wereBarthelemy, Menn, and Alfred van Muy-den. Like many artists of his generation,he began by painting enamels and ex-hibited a marked talent in this still veryconventional art. Then, after trying hishand at illustrating with success, he startedportrait painting, and, owing to the strikinglikenesses of his portraits and a supplenessof execution, he quickly came into museum at Lille possesses an im-portant canvas of this period, the portraitof the Comtesse de Pourtales and herchildren. 00000 Present-day critics would consider mostof Ravels portraits as of documentary im-portance, but their numerous possessorsare happy in knowing how a striking like-. LA FONTAINE DEJOUVENCE. BYEDOUARD RAVEL STUDIO-TALK
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
