. Hopi Katcinas drawn by native artists. - of these beingsappeared at the same time, but he has never seen the personation. KOKOPELLI MANA (Plate XXV) The Kokopelli girl has a slender, protuberant snout painted withspiral lines. She carries in her hand two packets of food made ofmush wrapped in corn husks. LAPUKTI* (Plate XXV) The symbolic marks of Lapiikti are three parallel marks on eachcheek, luiir of cedar bark, long telescopic eyes, and a protuberantsnout. He carries a rattle in his right hand, a crook in the left, andwears shirt and pantaloons. The picture brings out all these charac-ter
. Hopi Katcinas drawn by native artists. - of these beingsappeared at the same time, but he has never seen the personation. KOKOPELLI MANA (Plate XXV) The Kokopelli girl has a slender, protuberant snout painted withspiral lines. She carries in her hand two packets of food made ofmush wrapped in corn husks. LAPUKTI* (Plate XXV) The symbolic marks of Lapiikti are three parallel marks on eachcheek, luiir of cedar bark, long telescopic eyes, and a protuberantsnout. He carries a rattle in his right hand, a crook in the left, andwears shirt and pantaloons. The picture brings out all these charac-teristics. somipiki. l> For iiirture of doll, see Internationales Archiv fiir Etlinograpliie, Band vii, pi. xi, fig. 40. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. XXIV. TCOSBUCI AND SOYAN EP
Size: 1811px × 1379px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookauthorfewkesje, bookcentury1900, bookdecade1900, bookyear1904
