. Programme. r Days $ to $ Johe Ho Pray & S©es Co, 646 Washington St., 0pp. Boylston, Boston 10 painters contemporaries. Eastlake suggests that Death is herepersonified as a woman in accordance with the characterization inPetrarchs Triumph of Death. Liszt was influenced more than once by painting or sculptureto translate the subject into tones. He wrote: Raphael and MichaelAngelo helped me to understand Mozart and Beethoven. I foundthe explanation of Allegri, Marcello, Palestrina, in John of Pisa,Fra Beato, and Francia. Titian and Rossini appeared to me asstars of the same refraction.

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. Programme. r Days $ to $ Johe Ho Pray & S©es Co, 646 Washington St., 0pp. Boylston, Boston 10 painters contemporaries. Eastlake suggests that Death is herepersonified as a woman in accordance with the characterization inPetrarchs Triumph of Death. Liszt was influenced more than once by painting or sculptureto translate the subject into tones. He wrote: Raphael and MichaelAngelo helped me to understand Mozart and Beethoven. I foundthe explanation of Allegri, Marcello, Palestrina, in John of Pisa,Fra Beato, and Francia. Titian and Rossini appeared to me asstars of the same refraction. The Colosseum and the Campo Santoare not so far from the Heroic Symphony and the Requiem. Dantehas found artistic expression in Orcagna and Michael Angelo. Someday perhaps he will find a Beethoven of the future. Thus wefind the origin of two little piano pieces,—Sposalizio, inspiredby the picture of Raphael; II Penseroso, by the Medicean statueof Giulano, Duke of Nemours. The symphonic poem, The Battle.

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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881