. The empire of song : containing theory and practice lessons for singing classes, exercises and pieces for institutes and conventions, tunes and anthems for choirs, and glees and choruses for concerts. ^ Transpose each of these numbers through all the above keys, singing each five times. Accompaniment as above. A dotted half rest follows each singing/hile the accompaniment modulates just as above. Bases and Altos should not sing above E flat. No. 3 Jin. 4. ^^^i^^^ppl^^^^^^ipl^^E^^ -^-2-i *-*l -#-^- ^ m liEi m i ^ i f i Solfeggio One. (Phrasing and Expression.) 73 Good phrasing is as necessary
. The empire of song : containing theory and practice lessons for singing classes, exercises and pieces for institutes and conventions, tunes and anthems for choirs, and glees and choruses for concerts. ^ Transpose each of these numbers through all the above keys, singing each five times. Accompaniment as above. A dotted half rest follows each singing/hile the accompaniment modulates just as above. Bases and Altos should not sing above E flat. No. 3 Jin. 4. ^^^i^^^ppl^^^^^^ipl^^E^^ -^-2-i *-*l -#-^- ^ m liEi m i ^ i f i Solfeggio One. (Phrasing and Expression.) 73 Good phrasing is as necessary in music as in language. Phrases are made by little stops or pauses where breath may be taken. Taking breath in wrong places,either in reading or singing, makes wrong phrases and injures sound and sense. When there are words to music they nearly always guide in regard to breathing, and, consequently, phrasing; but music without words has sense and meaningwhich may be injured by wrong phrasing. Sing this first solfeggio and breathe at the bars, and this will be perceived. Very Sostenuto (sustained). Link the tones together {Legato). Breathe only at rests and commas. Syllables and Ah. T. la sol fa re ! ! Tl7- -#⢠âI- -#⢠âf -â¢â âJ-
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Keywords: ., bookcentury1800, bookdecade1880, booksubjectsinging, bookyear1887
