On the performance of Beethoven's symphonies . mf m. The substitution of the lower F and £ flat for the higheris already shewn in the quotation. Page 31, bars 2 and following. Horns, trumpets andkettle-drums play only mf here, and the s/s may then beplayed correspondingly somewhat less sharply. In the third. and fourth horns the mezzoforte begins already on the pre-ceding up-beat (octave G). The second horn takes the lower£flats during four bars. In the 2* bar of page 32, whenthe violins make their powerful leap from the low D to the 140 NINTH SYMPHONY. high E^ the first and second horns first
On the performance of Beethoven's symphonies . mf m. The substitution of the lower F and £ flat for the higheris already shewn in the quotation. Page 31, bars 2 and following. Horns, trumpets andkettle-drums play only mf here, and the s/s may then beplayed correspondingly somewhat less sharply. In the third. and fourth horns the mezzoforte begins already on the pre-ceding up-beat (octave G). The second horn takes the lower£flats during four bars. In the 2* bar of page 32, whenthe violins make their powerful leap from the low D to the 140 NINTH SYMPHONY. high E^ the first and second horns first come in / on thefourth quaver-beat (octave G) and then trumpets, kettle-drumsand the second pair of horns follow suit also with a power-ful /. In the last bar of page 32 and the three first barsof page 33, whilst violas and basses are playing at full /,the following gradations are important: Wood-wind Horns Trumpets andKettle-drams I St Viol. 2nd Viol. ±m
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Keywords: ., bookcentury1900, bookdecade1900, bookidcu3192408884, bookyear1906
