. A system of harmony : founded on key relationship, by means of which a thorough knowledge of the rules that govern the combinations and successions of sounds may be easily acquired with or without a teacher . 6. ^?p|pf^pp^ sis 3=S M _,sz: tK 1 The natural seventh descending: 1. Diatonic harmony, ruggedbut effective on occasion. 2. The same passage in the bass. Thismanner of using the first inversion of the minor chord on the domi-nant, viz., when the bass descends diatonically from the keynote tothe sixth or fifth of the scale, is very effective. Some authors say it HARMONY. 121 is the only
. A system of harmony : founded on key relationship, by means of which a thorough knowledge of the rules that govern the combinations and successions of sounds may be easily acquired with or without a teacher . 6. ^?p|pf^pp^ sis 3=S M _,sz: tK 1 The natural seventh descending: 1. Diatonic harmony, ruggedbut effective on occasion. 2. The same passage in the bass. Thismanner of using the first inversion of the minor chord on the domi-nant, viz., when the bass descends diatonically from the keynote tothe sixth or fifth of the scale, is very effective. Some authors say it HARMONY. 121 is the only way this chord may be used, in spite of the fact thatself-willed composers often use it otherwise with excellent and 4 give modern ways of harmonizing this note. 5 and 6give examples of the use of the raised sixth in descending passages;in 5 the sixth returns to the seventh. In 6 the sixth and seventh areboth raised, although in a descending passage; the seventh becausethe harmony requires it, the sixth to avoid the skip of augmentedsecond, which is very disagreeable in the bass. 2. 4- .2-5--2--2- i-5rapil _5_5_«_5- -2-£2- ? jgs* * FT f. F$mm *^ i± ± V -^- The augmented fifth on the third degree of the minor scale maybe used. It is generally used as a retardation, (1). 2 shows how the natural seventh may be used as a passing orchanging note with the raised seventh. I. 2. Y\ u~\ 1 frv\ k^A ^i « II Xs\) 14g ^ ^d «• • II J V -3- -S- V I -F*- Exercises in Minor Keys.
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