After the Hunt, Jan Baptist Weenix, c. 1656 painting In an Italianizing landscape, some hunters, dressed in first name costume, stop at the ruins of an antique Roman structure. A young beggar, sitting next to one of the columns, has a hat in his hand in the hope of receiving alms. In the foreground, a boy in a red hunting suit is in clear light for a monumental gate. He is accompanied by three dogs. In his hands he holds a collapsed hunting network. A blue hunting bag and the catch of the day - a hare, a heron and two partridges - are at his feet. Utrecht oil paint (paint). panel painting retu
After the Hunt, Jan Baptist Weenix, c. 1656 painting In an Italianizing landscape, some hunters, dressed in first name costume, stop at the ruins of an antique Roman structure. A young beggar, sitting next to one of the columns, has a hat in his hand in the hope of receiving alms. In the foreground, a boy in a red hunting suit is in clear light for a monumental gate. He is accompanied by three dogs. In his hands he holds a collapsed hunting network. A blue hunting bag and the catch of the day - a hare, a heron and two partridges - are at his feet. Utrecht oil paint (paint). panel painting return from the hunt
Size: 5772px × 6726px
Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
