. The first [-fifth] reader of the school and family series. -ehrows looking etill askance ;And ever as Dissemblance laughed on lowerd on her with dangerous eye glance,Showing his nature in his countenance:His rolling eyes did never rest in i) walked each where, for fear of hid mischance,Holding a lattice still before his which he still did peep as fonrard he did pace.—B. iii., c. 12. 10. It is an important truth that all these muscular move-ments, which give expression to the countenance, are directedand controlled by the nervous influence transmitted from the. Fig
. The first [-fifth] reader of the school and family series. -ehrows looking etill askance ;And ever as Dissemblance laughed on lowerd on her with dangerous eye glance,Showing his nature in his countenance:His rolling eyes did never rest in i) walked each where, for fear of hid mischance,Holding a lattice still before his which he still did peep as fonrard he did pace.—B. iii., c. 12. 10. It is an important truth that all these muscular move-ments, which give expression to the countenance, are directedand controlled by the nervous influence transmitted from the. Fig. 13.—Jealous Melancholy. 2d Div. OF . . HUMAN PHYSIOLOGY AND HEALTH. Ill brain through the nerve fibres, as shown in the engraving atthe head of this lesson. Is not the variety of expression thusproduced a very striking proof of design—an evidence thatall our emotions are intended to have their aj^propriate out-ward characters ? • Ram-i-fi-ca-tion8, branchings. I s Con-temned, regarded with Liv-ID, black and blue. ^ Tkans-verse, running crosswise. 2 Knit, contracted. i Ob-liq-ui-ty (oh-lik-we-ty), a deviation * €a-dav-eb-0U8, like a dead body; pale. from a right line. 5 Dis-tbauuut (»^rfHt«), distiacted. ii GeTm, adapted to create terror; ill-look- Fu-Ci-TivB, inclined to flee away. ing. Test-Y, petulant; fretful. ]2 Mis-chance, ill fortune. LESSON XII.—USES OF anatomy and physiology TO THE PAINTER. 1. As anatomy makes us acquainted with that structure byw^hich the mind expresses emotion, and through which theemotions are controlled and modified, it in
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