Accoutrements for a Bride, from the Spring Rain Collection (Harusame shū), vol. 1 probably 1816 (Year of the Rat) Ryūryūkyo Shinsai Japanese Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in
Accoutrements for a Bride, from the Spring Rain Collection (Harusame shū), vol. 1 probably 1816 (Year of the Rat) Ryūryūkyo Shinsai Japanese Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and album forms part of a set of three containing more than four hundred surimono. The prints are arranged on facing leaves according to themes or in a way that creates an attractive arrangement of designs, complementary in both color and shape. The printing techniques, pigments, and paper used for surimono were often the highest quality, and represent the epitome of late Edo-period woodblock Accoutrements for a Bride, from the Spring Rain Collection (Harusame shū), vol. 1 54447
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